// THE VERGE — MOBILE & WEB
Paramount will need to release way more movies to make this merger work
Posts from this topic will be added to your daily email digest and your homepage feed.
Posts from this topic will be added to your daily email digest and your homepage feed.
Posts from this topic will be added to your daily email digest and your homepage feed.
Paramount says it will release more films after merging with Warner Bros., but that promise may be difficult to keep.
Paramount says it will release more films after merging with Warner Bros., but that promise may be difficult to keep.
Posts from this author will be added to your daily email digest and your homepage feed.
Posts from this author will be added to your daily email digest and your homepage feed.
Now that Paramount has reached a settlement with the 12 states that were suing to block its $110 billion merger with Warner Bros. Discovery (WBD), the studio is even closer to becoming one of the world’s biggest production houses. In addition to spending at least $300 million more on film and TV projects produced in the US, Paramount says that it will release a minimum of 30 movies annually after it absorbs WBD. On paper, these goals make it sound like Paramount is trying to ensure that the entertainment industry won’t be harmed by its WBD acquisition. But when you look at the studios’ recent output, it seems very much like Paramount CEO David Ellison is making promises to the public that he might not be able to keep.
In a statement about the settlement, California Attorney General Rob Bonta stressed that the settlement was designed to maintain consistent film output and domestic production while “protecting the livelihoods of workers above and below the line.” (Of course, any redundancies caused by a merger of this scale will likely lead to layoffs, which makes Bonta’s claim that the settlement “protects workers, jobs, and Hollywood” questionable in the first place.) In a statement of their own, Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA) president Sean Astin and chief negotiator Duncan Crabtree-Ireland thanked Bonta and noted that the settlement represents “the lowest standards that our employers must meet.”
Though the acquisition — which has not yet officially been finalized — would permanently fuse Paramount and WBD, the settlement only requires the newly merged company to adhere to a few rules for just five years. In the first two years, Paramount/WBD has to either put out 30 films annually or pay $30 million per film into healthcare and retirement funds managed by Hollywood’s biggest unions. During the following three years, the merged studio would need to release 32 films annually, and if it fails to meet any of these requirements during this five-year period, it will be forced to sell off its 49 percent stake in Miramax Studios to one of its competitors.